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๊ธฐ๊ณ ์™€ ์„œ๋ฌธ

ใ€Œ๋ฏธ์ˆ ์‹œ์žฅ์ด ํ„ฐํŠธ๋ฆฐ ๋…ธ๋ฅธ์ž์˜ ๋ฐฉํ–ฅ, โ‰ช2025 ํ™”๋ž‘๋ฏธ์ˆ ์ œ in ์ˆ˜์›โ‰ซใ€, ใ€ŽTHISCOMESFROMใ€ 2024. 9.

ใ€Œํ‰ํ™”๋ฌธํ•ด๋ ฅ, ๋„‹๊ณผ ์ฃ„๋ฅผ ๋Œ์–ด์•ˆ๊ณ  ์‚ฌ๋ž‘ํ•˜๋Š” ๊ธฐ์ˆ ๆŠ€่ก“/่จ˜่ฟฐใ€, ใ€Ž์—ํฌ์ผ€๋ ˆํ…Œใ€ 2025. 5.

ใ€ˆ๋ชจ๋ž˜ ๋”๋ฏธ ์•ž ์‹ ๊ฒฝ๋ง๋“ค์—๊ฒŒ: ์ŠคํŒธ์— ๊ฑฐ์šธ์„ ๋“ค์ด๋Œ€๋Š” ๋น„ํ‰-๋ ˆํ„ฐ?ใ€‰, ใ€Š๋ดํƒˆ ํฌ๋ฆฌํ‹ฑใ€‹ 2025. 5.

ใ€Œ๊ณต๋ช…ํ•˜๋Š” ์ด์‹๋“ค: ์–‘๋ฆผ์—์„œ ์šธ๋ฆฌ๋Š” <์˜ค์„ ๋ณด ์ด์•ผ๊ธฐ>ใ€, ใ€ŽTHISCOMESFROMใ€ 2024. 11. 

ใ€Œ*c-lab 7.0, ์‹ ์ฒด์™€ ๋งค์ฒด๋ฅผ ์—ฐ๊ฒฐํ•˜๋Š” ์˜ˆ์ˆ ๊ฒฉ๋‚ฉ๊ณ ใ€, ใ€Ž*c-lab 7.0 ์ž๋ฃŒ์ง‘ใ€ 2023. 12.

ใ€ˆ๋ณ€๋‘๋ฆฌ์—์„œ ๋ป—์€ ๊ถค์ , ๊น€์–‘์šฐ์˜ ๋ฌต์‹œ์  ํ†ต๊ทผใ€‰, ใ€Šํ†ต๊ทผ์ƒํ™œใ€‹, ํ•ฉ์ •์ง€๊ตฌ, ์„œ์šธ 2022. 6.

ใ€Œ๊ณต๋ฐฑ์„ ์œ„ํ•œ ์—ฌ์ •: ใ€ˆํ•„๋ฆ„์„ ์œ„ํ•œ ์„ ใ€‰์„ ๋Œ€์—ฌํ•˜๋Š” ๊ธธใ€, ใ€Ž๊ทธ๊ฒƒ์€ ๋ฌด์—‡์„ ๋ฐํžˆ๋‚˜ใ€ 2021. 12.

ใ€Œ๋ˆ„์•„๋ฅด ์„ธ๊ณ„์˜ ์—ฌ์„ฑ ์˜์›… ๊ฐ€๋Šฅ์„ฑ ์ƒ์ƒํ•˜๊ธฐใ€, ใ€Ž์—ฌ์ž-ํ˜•์‚ฌ์™€ ๊ทธ ๋ณ€์ฃผ๋“คใ€ 2021. 12.

์ถœํŒ

ใ€Ž๋Œ€์ง€์˜ ์ €์ฃผ๋ฐ›์€ ๊ฑธ๋“คใ€ 2024. 11. 

ใ€Ž๋ฐ”์ง€๋งŒ์„ธใ€ 2023. 11. 

ใ€Ž์ Š์Œ๊ณผ ๊ด‘๊ธฐใ€ 2021. 11. 

ใ€Ž๊ฒŒ๋ฆฌ ํž: ์ฐฐ๋‚˜์˜ ํ”์ , ๋ถˆ๊ฐ€์‚ฌ์˜ํ•œ ๊ฒฝ๊ณ„๋ฅผ ๊ฑท๋Š” ํƒํ—˜๋กœใ€ 2020. 4. 

ใ€Ž๊ด€๋Šฅ์ ์ธ ์„ฑ๋„์ฐฉ์ž ๋˜๋Š” ํƒ€๋ฝํ•œ ์‚ฌ์ด๋น„ ๋‚จ์„ฑใ€ 2017. 8. 

์ „์‹œ ๊ธฐํš

ใ€Š์ด์ด๋‚จ์˜ ์‚ฐ์ˆ˜๊ทน์žฅใ€‹, ๊ตญ๋ฆฝ์•„์‹œ์•„๋ฌธํ™”์ „๋‹น, ๊ด‘์ฃผ 2025. 4. โ€“ 2025. 7. 

ใ€Š2023 ์ด์ฃผ ์ด์•ผ๊ธฐ ํ”„๋กœ์ ํŠธใ€‹, ํ–ฅ๋‚จ์ ํ‰3๊ธธ 5-3, ํ™”์„ฑ, ๊ณต๋™๊ธฐํš 2023. 11.

ใ€Š๋ถˆ์ˆœํ•œ ํŒŒ๊ดด, ๋‹ค์ •ํ•œ ๊ฒฐํ•ฉใ€‹, ์˜จ์ˆ˜๊ณต๊ฐ„, ์„œ์šธ 2023. 1.

์ „์‹œ ์‹คํ–‰

ใ€Š๋ชจ๋‘์˜ ๋„์›ใ€‹, ์ฃผ์ƒํ•˜์ดํ•œ๊ตญ๋ฌธํ™”์›, ์ƒํ•˜์ด, ์ค‘๊ตญ 2024. 12. โ€“ 2025. 2.

ใ€ŠํŒ์†Œ๋ฆฌ, ๋ชจ๋‘์˜ ์šธ๋ฆผใ€‹, ์ œ15ํšŒ ๊ด‘์ฃผ๋น„์—”๋‚ ๋ ˆ, ๊ด‘์ฃผ 2024. 9. โ€“ 2024. 12.

ใ€Š์‹œ๊ฐ„์„ ์†Œ์žฅํ•˜๋Š” ์ผ์— ๋Œ€ํ•˜์—ฌใ€‹, ๋ฐฑ๋‚จ์ค€์•„ํŠธ์„ผํ„ฐ, ์šฉ์ธ 2023. 3. โ€“ 2023. 8.

ใ€Šํ•˜ํ•˜ํ•˜ ํ•˜์šฐ์Šคใ€‹, ์ˆ˜์›์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ์ˆ˜์› 2021. 9. โ€“ 2021. 11. 

ใ€Š๋น„์ •์ƒใ€‹, ์ˆ˜์›์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ˆ˜์› 2021. 2. -2021. 6.

ใ€Š๊ทธ๊ฒƒ์€ ๋ฌด์—‡์„ ๋ฐํžˆ๋‚˜ใ€‹, ์ˆ˜์›์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ˆ˜์› 2020. 9. โ€“ 2020. 12.

ใ€Š๊ฒŒ๋ฆฌ ํž, ์ฐฐ๋‚˜์˜ ํ”์ ใ€‹, ์ˆ˜์›์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ˆ˜์› 2019. 11. โ€“ 2020. 3.

Writings

โ€œThe Direction of the Burst Yolk of the Art Market: Galleries Art Fair 2025 in Suwon,โ€ THISCOMESFROM, Sep 2024.

โ€œPeace Literacy: A Technique/Description for Embracing Souls and Guilt,โ€ Epokรฉ Rete, May 2025.

โ€œTo Neural Networks Before a Sandpile: A Criticism-Letter Holding a Mirror to Spam?โ€ Dental Critic, May 2025.

โ€œResonant Transplants: โ€˜The Story of the Five-Line Staffโ€™ Resounding in Yangnim,โ€ THISCOMESFROM, Nov 2024.

โ€œc-lab 7.0: An Art Hangar Connecting Body and Media,โ€ c-lab 7.0 Catalogue, Dec 2023.

โ€œA Trajectory Branching from the Periphery: Kim Yang-wooโ€™s Apocalyptic Commute,โ€ Commute Life, Jun 2022.

โ€œA Journey for the Interval: On Loaning โ€˜Lines for Filmโ€™,โ€ in What Does It Illuminate (exhibition catalogue), Dec 2021.

โ€œImagining the Possibility of Female Heroes in the Noir World,โ€ in Women Detectives and Their Variations, Dec 2021.

Publications

Cursed Things of the Earth, Nov 2024.

Hurrah1 Hosenrollen!, Nov 2023.

Youth and Madness, Nov 2021.

Gary Hill: Traces of the Instant, Apr 2020.

The Sensual Sexual Deviant or the Fallen Pseudo-Male, Aug 2017.

Curatorial Projects

Landscape Theater of Lee Lee Nam โ€” Asia Culture Center (ACC), Gwangju โ€” Aprโ€“Jul 2025.

2023 Migration Story Project (co-curated) โ€” 5-3 Pyeong 3-gil, Hyangnam-eup, Hwaseong โ€” Nov 2023.

Impure Destruction, Tender Bonds โ€” Onsu Space, Seoul โ€” Jan 2023.

Exhibition Production / Coordination

Everyoneโ€™s Dowon (Peach Blossom Spring) โ€” Korean Cultural Center in Shanghai, China โ€” Dec 2024โ€“Feb 2025.

Pansori, Everyoneโ€™s Resonance โ€” 15th Gwangju Biennale, Gwangju โ€” Sepโ€“Dec 2024.

On Collecting Time โ€” Nam June Paik Art Center, Yongin โ€” Marโ€“Aug 2023.

Ha-Ha-Ha House โ€” Suwon Museum of Art, Suwon โ€” Sepโ€“Nov 2021.

Abnormal โ€” Suwon Museum of Art, Suwon โ€” Febโ€“Jun 2021.

What Does It Illuminate โ€” Suwon Museum of Art, Suwon โ€” Sepโ€“Dec 2020.

Gary Hill: Traces of the Instant โ€” Suwon Museum of Art, Suwon โ€” Nov 2019โ€“Mar 2020.